The Future Past Tour

Iron Maiden Indio 2023

Power Trip Festival 2023-10-06 Indio, USA

Iron Maiden, Indio 2023: the physical release in hand

My rating what's this?

Step 1 of 4. What you're looking at

This is a bootleg, not the official live album. The actual night itself, recorded from inside the crowd, with the mistakes and the roar left in. This is the concert as it really sounded, before anyone cleaned it up.

// Full facts

The show

Date
2023-10-06
Venue
Power Trip Festival
Location
Indio, USA
Tour
The Future Past Tour

The recording

Source
AUD
Format
FLAC 16/44
Equipment
SP-CMC-8 (w/Mods) > Sony PCM-A10 > Sandisk Mini-SD Card (32gb - Class 10)
Lineage
WAV (24 Bit) > Adobe Audition 2023 CC (normalize/amplify/tracking/dithering/downsampling) > WAV (16 Bit) > Trader's Little Helper > FLAC (Level 6)

Credits

Taper
fried_morals
Mastering
MR 019
Catalog ID
MR #019

// Taper's notes

SOURCE: SP-CMC-8 (w/Mods) > Sony PCM-A10 > Sandisk Mini-SD Card (32gb - Class 10) TRANSFER: .WAV (24 Bit) > Adobe Audition 2023 CC (normalize/amplify/tracking/dithering/downsampling) > .WAV (16 Bit) > Trader's Little Helper > FLAC (Level 6) NOTES: First and foremost, I have to say the crowd around me for this set was a bit rowdy to say the least. We made the mistake of getting the GA rail spot on the right side of the fields/stage (where the crowd naturally funnels into - so much so, that the promoters had to put signs on the video screens telling concert goers there was "more room this way --> (left)"), rather than heading more towards the center or left side of the field, like we did for Saturday and Sunday. Therefore it was a lot more crowded where we were, and the crowd was full of obnoxious drunk assholes, they numbered in the hundreds, maybe the thousands, who knows? I mean, literally 5 seconds into the "Doctor Doctor" intro playing over the PA, some fucking asshole starts rushing the rails where we were and smashing into people and throwing fists (you can hear people around me calling for security to pull him out for starting fights). Luckily, the dudes around me were not putting up with his shit and started fighting him back and trying to shove him out. Eventually security was able to grab him and pull him over the railing. They ended up having to do this about 5 or 6 times during the set. It was like the Royal Rumble, with people being pulled over the top of the railing and onto the ground left and right for having caused some violent fights. One guy, who you can hear near the end of the "The Time Machine" I think (or "The Prisoner") starts calling all of us cunts and pussies and blah blah and was flipping us all off as security dragged him away, wish I had gotten video of that. Anyway, suffice to say, there was some rowdiness around me and some loud annoying people. I tried to avoid them the best I could for this recording, but that was an impossible task. Just adds to the recording/experience I guess? Speaking of the experience, this was my first time seeing Iron Maiden. I had always wanted to see them headline Coachella (one of the promoters of Coachella had always said Iron Maiden was on his dream list of headliners) but that never came (as of now), so having them headline Power Trip (at the same venue) is a good second choice I think. I think I was most excited for Iron Maiden of all the bands, considering they were one of the three I had never seen before (others being Tool and Judas Priest), though I don't think I walk away with saying Iron Maiden had the best performance. Probably bottom three if I'm being honest. First I do think it sounded the worst of all the 6 sets that were performed over the weekend. I dunno, maybe it's my ears only, but the sound just sounded off for this set to me. Too distorted, or too compressed? Not as clear as it should have been? Not enough bass? Bruce's vocals were mixed fucking horribly I think, though maybe that's how it always is with them live? I don't know. Bruce came out dressed like he was a prisoner on Fiorina 161, right of Alien 3, even wearing some weird ass black goggles. The theatrics were pretty decent I thought, with segments featuring a gunslinger type robot (who had a gun fight with Bruce) and the giant Eddie samurai (I guess there is no more traditional Eddie?) that was sword fighting with various band members. There were no giant airplanes or anything super crazy though, I guess those were made for previous tours only? Also, and I already knew this going in, they didn't play "Number of the Beast" or "Run to the Hills" either (they aren't being played on this tour). And I suppose for hardcore fans, that's fine, but for a festival set years in the making? I dunno, just seems like a missed opportunity. I know it sounds like I'm complaining a lot about this set, but I don't intend it to come off that way. I did enjoy it, though I did walk away thinking it could have been better. Bruce did say at the very end that he would "see all of us again...make of that what you will". Hmmm.... ***DO WHATEVER YOU WANT WITH THIS RECORDING EXCEPT SELL IT, OR ELSE THE KARMA POLICE WILL GET YOU***

fried_morals

// Release notes

I've had this remaster saved for a while, but the artwork wasn't quite right. I've already changed it, and I think it's fine. As for the changes, I chose fried_morals' version because, when I separated the audience from the band, it sounded the best, at least in my opinion. Well, that's all I did. I didn't see the need to turn up the volume on any instrument or Bruce's voice. There are a lot of yappers around, and it was sometimes intrusive. A curious note, to say the least. It seems there was a Chilean girl there, maybe, who didn't want the concert to end, hahaha. "faltan conchetumadre no noo". Can be heard on the Encore Break track. Overall, it seems there were a lot of Latin American people there; that chant was recognizable. How nice.

// Tracklist

Disc 1

  1. 01 Doctor Doctor (over the PA)
  2. 02 Blade Runner (End Titles) (over the PA)
  3. 03 Caught Somewhere in Time
  4. 04 Stranger in A Strange Land
  5. 05 (talking)
  6. 06 The Writing on the Wall
  7. 07 Days of Future Past
  8. 08 (talking)
  9. 09 The Time Machine
  10. 10 The Prisoner
  11. 11 (talking)
  12. 12 Death of the Celts

Disc 2

  1. 01 (talking)
  2. 02 Can I Play with Madness
  3. 03 Heaven Can Wait
  4. 04 Alexander the Great
  5. 05 Fear of the Dark
  6. 06 Iron Maiden
  7. 07 ENCORE
  8. 08 (encore break)
  9. 09 Hell on Earth
  10. 10 The Trooper
  11. 11 Wasted Years

// Cover art

Help Cover artist unknown. If you made this artwork or know who did, let me know and I will credit it.

// The night

Maiden opened the three-day Power Trip festival as the first night's headliner, in desert heat that reached 103 degrees and with the gates opening late. The set was a curveball for a festival crowd, leaning into The Future Past material, and the production sent a cyborg Eddie out for a gun duel with Dickinson. Months later Bruce called the night a slightly strange experience: the priciest front rows filmed on phones while, as he saw it, the real fans stood at the back.

Sources Blabbermouth opening-night report Metal Hammer / Louder review (Rich Hobson) Coachella Valley Independent report (Matt King) Bruce Dickinson radio interview, December 2023 (Blabbermouth transcript)

// Video from the night

Fan-filmed clips from this show on YouTube, separate recordings, not the bootleg audio catalogued above. Click to load the player (YouTube sets cookies once you play).

// What the press said

Iron Maiden kicked off this weekend's massive Power Trip festival with a curveball set that nonetheless proved their triumphant power.
Metal Hammer / Louder Rich Hobson Read the full review →
The guitar work by Dave Murray, Adrian Smith and Janick Gers was pretty much spotless.
mxdwn Music Raymond Flotat Read the full review →

// In their words

// Around the web

The rating

The rating is mine, and it is the only quality mark here. The number from 1 to 10 next to a recording is my own listening judgement: how much I enjoy putting it on, everything weighed together.

I do not hand out an "objective" grade, because nobody can grade a live recording objectively. One collector's ears are not another's.

A tape can be clean and still rate lower if it leaves me cold, or rate high in spite of its flaws because it captures the night. Higher means I reach for it more often.

Take it as one ear, then trust your own.

About these releases

The disc you see in these photos is burned by me and the cover is printed by me, by hand. Each one is a single copy for my own shelf, put together while I catalogue the collection.

This is not a label, and nothing here is a product. Nothing is for sale and nothing is for trade.

If a release looks finished, that is just the fun of the craft. Please do not write asking for a copy. I make them for no one but myself.