Run For Your Lives World Tour

Iron Maiden Copenhagen 2025

Royal Arena 2025-06-09 Copenhagen, Denmark

Iron Maiden, Copenhagen 2025: the physical release in hand

My rating what's this?

Step 1 of 4. What you're looking at

This is a bootleg, not the official live album. The actual night itself, recorded from inside the crowd, with the mistakes and the roar left in. This is the concert as it really sounded, before anyone cleaned it up.

// Full facts

The show

Date
2025-06-09
Venue
Royal Arena
Location
Copenhagen, Denmark
Tour
Run For Your Lives World Tour

The recording

Source
AUD
Format
audio
Running time
129:18

Credits

Taper
tolvis
Mastering
Neoplasmah
Cover art
Aleister666

// Taper's notes

IRON MAIDEN Copenhagen, DK Royal Arena 2025-06-09 (June 9th) source: tolvis master aud length: 125.02 This was my last Maiden concert, after 28 gigs in seven countries since 1992 I am done and happy about it. It was a great send off, even though I do think they overhyped the setlist beforehand. Still, you cannot go wrong with a set like this, and the opening five tracks alone had me headbanging (at 48 that's not recommended), air guitar playing (see previous comment) and jumping (ouch). Simon did a fair job replacing Nicko, he dragged a bit on some songs but others were perfectly fine, some of his own touches were good, others not so. It's always tough replacing a beloved member, no matter the reason, and I think he did a good job. There must have been some kind of monitor problems, as everyone lost their place for short periods during the show. Then again they don't play to a click, which I think gives the music air. It was very obvious when the screen animations at times did not quite follow the beat, lovely! It is a metal gig after all, not a Broadway production. People seem to forget that nowadays, expecting some kind of Disney production from even the smallest underground bands. 28 gigs, 33 years. I loved this band once, more than I could understand. Still do, I guess, but in a more "nice to see your old uncle again" sort of way. Judging by the amount of people in the audience not even having been born in 1992 when I started out I doubt anyone will miss me very much. It's nice to be able to choose yourself when the time has come, instead of understanding it after the fact. This made my night even more enjoyable, thinking back on all the gigs over the years. Happy days they were, and to the ones coming after me I wish you all the same joy I've had the pleasure of experiencing. UP THE IRONS!

tolvis

// Tracklist

Disc 1

  1. 01 Doctor Doctor
  2. 02 Intro 0:31
  3. 03 The Ides Of March 1:57
  4. 04 Murders In The Rue Morgue 4:31
  5. 05 Wrathchild 3:00
  6. 06 Killers 5:35
  7. 07 Bruce speech #1 2:25
  8. 08 Phantom Of The Opera 7:51
  9. 09 The Number Of The Beast 5:19
  10. 10 The Clairvoyant 4:47
  11. 11 Powerslave 7:43
  12. 12 2 Minutes To Midnight 6:12
  13. 13 Bruce speech #2 1:39
  14. 14 Rime Of The Ancient Mariner 14:11

Disc 2

  1. 01 Wasted Years 6:27
  2. 02 Run To The Hills 4:33
  3. 03 Seventh Son Of A Seventh Son 12:46
  4. 04 The Trooper 4:27
  5. 05 Hallowed Be Thy Name 8:01
  6. 06 Iron Maiden 8:08
  7. 07 Churchill's Speech 1:42
  8. 08 Aces High 5:17
  9. 09 Fear Of The Dark 7:54

// Cover art

// The night

Royal Arena holds up to 17,000 for concerts and was sold out for this show, with 126 setlist.fm users logging attendance. Halestorm opened. The taper who captured this recording was attending his 28th Maiden show across 33 years and seven countries, and chose this night as a deliberate farewell. He noted monitor problems that caused band members to momentarily lose their place at points during the set, and flagged that Simon Dawson dragged the tempo slightly on some songs while finding his own touches on others. The outdoor screens held up well even in the lingering Scandinavian daylight.

Sources Taper notes included with this recording (tolvis) Iron Maiden setlist.fm, Royal Arena, June 9, 2025 Official Run For Your Lives World Tour page (support acts confirmed)

// Around the web

The rating

The rating is mine, and it is the only quality mark here. The number from 1 to 10 next to a recording is my own listening judgement: how much I enjoy putting it on, everything weighed together.

I do not hand out an "objective" grade, because nobody can grade a live recording objectively. One collector's ears are not another's.

A tape can be clean and still rate lower if it leaves me cold, or rate high in spite of its flaws because it captures the night. Higher means I reach for it more often.

Take it as one ear, then trust your own.

About these releases

The disc you see in these photos is burned by me and the cover is printed by me, by hand. Each one is a single copy for my own shelf, put together while I catalogue the collection.

This is not a label, and nothing here is a product. Nothing is for sale and nothing is for trade.

If a release looks finished, that is just the fun of the craft. Please do not write asking for a copy. I make them for no one but myself.