The Future Past Tour

Iron Maiden Birmingham 2023

Utilita Arena Birmingham 2023-07-04 Birmingham, UK

Iron Maiden, Birmingham 2023: cover artwork

My rating what's this?

A 10 as an audience recording: I sat down for a few tracks and stayed for the whole show.

Step 1 of 4. What you're looking at

This is a bootleg, not the official live album. The actual night itself, recorded from inside the crowd, with the mistakes and the roar left in. This is the concert as it really sounded, before anyone cleaned it up.

// The bootleg

This one sounds so good that I sat down meaning to pick out a few tracks and ended up playing the whole thing. It is one of those bootlegs you listen to for the pleasure of it.

Everything is very well separated, the sound is full, there is no distortion, and it all sits in balance. On top of that, this tour has one of the best setlists in Iron Maiden’s history.

And there is a treat in here: the band’s slip in “Stranger in a Strange Land”.

As an audience recording, I give it a 10.

// Full facts

The show

Date
2023-07-04
Venue
Utilita Arena Birmingham
Location
Birmingham, UK
Tour
The Future Past Tour

The recording

Source
AUD
Format
FLAC 16-bit / 44.1 kHz
Running time
108:52
Equipment
SP-CMC-8 microphones (AT943 cards) > SP-SPSB-8 battery box (69 Hz bass roll-off) > Edirol R-09
Lineage
SP-CMC-8 (AT943 Cards) > SP-SPSB-8 (69Hz Bass Roll Off) > Edirol R-09 (Line In) > PC (via USB) > Sound Forge v.8 (fades, track splits, normalisation & EQ) > FLAC

Credits

Taper
Unknown
Cover art
Official The Future Past Tour artwork, not made for this release

Help Taper unknown. If you taped this show or know who did, let me know and I will credit them.

// Tracklist

  1. 01 Blade Runner (End Titles) (Intro) 2:07
  2. 02 Caught Somewhere In Time 7:13
  3. 03 Stranger In A Strange Land 6:54
  4. 04 The Writing On The Wall 5:40
  5. 05 Days Of Future Past 6:11
  6. 06 The Time Machine 6:39
  7. 07 The Prisoner 7:43
  8. 08 Death Of The Celts 11:20
  9. 09 Can I Play With Madness 3:29
  10. 10 Heaven Can Wait 7:52
  11. 11 Alexander The Great 8:46
  12. 12 Fear Of The Dark 7:55
  13. 13 Iron Maiden 6:26
  14. 14 Hell On Earth 10:34
  15. 15 The Trooper 4:08
  16. 16 Wasted Years 5:46

// Cover art

// The night

Birmingham turned in a sold-out crowd for this leg of The Future Past Tour, with German gothic industrial rockers Lord of the Lost opening the night and Hit The Lights putting the audience at around fifteen thousand. Bruce Dickinson wailed "Scream for me, Birmingham!" before the opening "Caught Somewhere in Time" had even reached its first chorus. The night also carried a couple of audible slips: Dickinson stumbled over the lyrics in "Stranger in a Strange Land", and later began to introduce "Can I Play With Madness" in the slot that belonged to "Death of the Celts", until Steve Harris set him straight.

Sources Hot Metal gig review (Brian Giffin) Hit The Lights live review (Steve Johnston) Setlist.fm: Utilita Arena Birmingham, July 4, 2023 Iron Maiden official tour dates: The Future Past Tour

// What the press said

There's just Iron Maiden, showing once again why they are, as they have been for a generation, a true force majeure in the world of live music.
Hot Metal Brian Giffin Read the full review →
Iron Maiden have been around forever and on tonight's showing I don't see it, and I don't want it to ever be any different.
Hit The Lights Steve Johnston Read the full review →
Iron Maiden, the undisputed kings of British Heavy Metal in many eyes, sought out Time and beat it to within an inch of life.
Liverpool Sound and Vision Ian D. Hall Read the full review →
As powerful and engaging as ever, any talk of retirement is thankfully premature; nights like this prove that Iron Maiden remain at the very top of their game.
The Midlands Rocks Read the full review →

// Around the web

The rating

The rating is mine, and it is the only quality mark here. The number from 1 to 10 next to a recording is my own listening judgement: how much I enjoy putting it on, everything weighed together.

I do not hand out an "objective" grade, because nobody can grade a live recording objectively. One collector's ears are not another's.

A tape can be clean and still rate lower if it leaves me cold, or rate high in spite of its flaws because it captures the night. Higher means I reach for it more often.

Take it as one ear, then trust your own.